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The Tanks

Experience live art, performance, film and video art in these gallery spaces

visitors in the Tanks staircase

© photo: Rikard Österlund

The Tanks provide a permanent gallery for live art, performances and film and video work from the Tate collection. There is also a programme of new commissions of works made for the specific spaces.

The Tanks were previously used to store oil when the gallery was a power station. These huge circular spaces in the foundations of the Blavatnik Building have kept their rough, industrial feel to now house new art. No longer generating electricity, the Tanks generate ideas, creative energy and new possibilities for artists and audiences. These raw, industrial, subterranean spaces, each measuring over thirty metres across and seven metres high are the world’s first museum galleries permanently dedicated to exhibiting live art, performance, installation and film.

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Tate Modern
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Ongoing

Free

4 rooms in The Tanks

Nikita Gale

Nikita Gale

PRIVATE DANCER addresses the right to refusal of marginalised people within spaces of performance and the aestheticisation of their labour

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Dimly lit industrial room with concrete walls and a stack of metal that looks like rigging in the centre of the floor.

Photo © Tate (Sam Day)

Paul Maheke

Paul Maheke

In his video installation Levant, Maheke stages a poetic meditation on visibility and erasure

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Dimly lit room, industrial concrete walls with a few small globe shaped lights on the floor.  A blurred image of a woman, head leaning on her hand is on a screen in the corner.

Photo © Tate (Sam Day)

Felix Gonzalez-Torres

Felix Gonzalez-Torres

Gonzalez-Torres presents a tender study of transience, loss and eternal renewal in this minimalist light installation

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Dark room, a curved wall is constructed from metal riveted together, in the middle is a point of light and some text in raised letters in the metal.

Photo © Tate (Sam Day)

Anna Daučíková

Anna Daučíková

Using video, light, glass and text, Daučíková creates a space where the self does not rely on secure, fixed notions of identity

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A clear sheet with letters inscribed above a stone floor and a single rock.

Photo Frank Sperling

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