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Showing 101–120 of 3,219 results

Tate Papers

Lines of Sight: Alfred Watkins, Photography and Topography in Early Twentieth-Century Britain

Stephen Daniels

Alfred Watkins (1855–1935) originated the idea of ley-lines and surveyed alignments which articulated the prehistoric landscape of Britain, in his …

Tate Papers

'Pataphysical Graham': A Consideration of the Pataphysical Dimension of the Artistic Practice of Rodney Graham

Steven Harris

Pataphysical Graham ‘Pataphysical Graham’ investigates the possible use of pataphysical motifs in the work of the contemporary Canadian artist Rodney …

Tate Papers

Edward Hopper and British Artists

David Fraser Jenkins

This article examines the changes in Edward Hopper’s painting style during his stays in Paris between 1906 to 1910, and …

Tate Papers

Authenticity, Change and Loss in the Conservation of Time-Based Media Installations

Pip Laurenson

This paper focuses on three concepts central to the theory of conservation: authenticity, change and loss. These terms are explored …

Tate Papers

The Effects of Surface Cleaning on Acrylic Emulsion Paintings: A Preliminary Investigation

Bronwyn Ormsby , Tom Learner , Michael Schilling , Jim Druzik , Herant Khanjian , Dave Carson , Gary Foster and Mike Sloan

Drawing on a current research project at Tate on the conservation of modern paintings, this article, based on research carried …

Tate Papers

Between Text and Image in Kandinsky’s Oeuvre: A Consideration of the Album Sounds

Christopher Short

Focusing on the album of poetry and woodcuts called Sounds (Klänge), published c.1912, this paper examines how Kandinsky …

Tate Papers

Kandinsky and Contemporary Painting

Brandon Taylor

The author assesses the reach of Kandinsky’s early painting, first reflecting upon the sense of scale and time in Kandinsky’s …

Tate Papers

Constable’s Sketch for Hadleigh Castle : A Technical Examination

Natasha Duff

Constable (1776–1837) made one of his characteristic 'six footer' oil sketches in preparation for Hadleigh Castle which he exhibited at …

Tate Papers

A Lively Parrot: Frances Hodgkins's Wings Over Water

Sarah Hillary and Joyce H. Townsend

It is most likely that Frances Hodgkins (1869–1947) began the painting Wings over Water in Bodinnick, Cornwall, in 1931 and …

Tate Papers

Military Avoidance: Marcel Duchamp and the 'Jura-Paris Road'

Kieran Lyons

The essay traces military relationships in the work of Marcel Duchamp (1887–1968), paying particular attention to his notes of 1912 …

Tate Papers

'Poor abraded butterflies of the stage': Sickert and the Brighton Pierrots

Nicola Moorby

Sickert's interest in popular entertainment extended beyond the London music-hall and his 1915 painting Brighton Pierrots depicts a troupe of …

Tate Papers

All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’

Luke Skrebowski

Jack Burnham’s systems aesthetics was one of the first, fully developed, critical theories of postformalist artistic practice. Yet Burnham, undeservedly, …

Tate Papers

Beuys is Dead: Long Live Beuys! Characterising Volition, Longevity, and Decision-Making in the Work of Joseph Beuys

Alison Bracker and Rachel Barker

Joseph Beuys’s use of unconventional materials, such as felt, wax, and fat, characterise his artworks. Whilst museums strive to obtain …

Tate Papers

Emila Medková: The Magic of Despair

Krzysztof Fijałkowski

The work of Emila Medková (1928–1985) is a remarkable example of surrealist documentary photography. A central member of the post-war …

Tate Papers

Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at Tate Modern

Michèle Fuirer

This paper describes the findings of a practice-based research project to assess the qualitative shifts in learning made by participants …

Tate Papers

Thomas Gainsborough’s ‘Lost’ Portrait of Auguste Vestris

Martin Postle

The subject of this paper is a portrait of the celebrated eighteenth-century dancer, Auguste Vestris, acquired by Tate in 1955, …

Tate Papers

The 'Comic Sublime’ : Eileen Agar at Ploumanac’h

Ian Walker

In 1936 the English surrealist Eileen Agar photographed the extraordinary rock formations at Ploumanac'h in Brittany. This paper examines the …

Tate Papers

The Separateness of Things, Victor Burgin

Victor Burgin

In 1986 Victor Burgin made a series of photographic works based on Edward Hopper's painting Office at Night 1940 featuring …

Tate Papers

Uncovering Professionalism in the Art Museum: An Exploration of Key Characteristics of the Working Lives of Education Curators at Tate Modern

Helen Charman

This paper attempts to articulate the distinctive qualities of the work of education curators at Tate Modern in relation to …

Tate Papers

Glazing Over: A Review of Glazing Options for Works of Art on Paper

Rosie Freemantle

This paper summarises the advantages and disadvantages of glazing options, focusing on works on paper. In light of continuous improvements …

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