Architect’s plan for positioning font, Llandaff Cathedral, Wales

Alan L. Durst, George Pace

Designs for font reliefs, Llandaff Cathedral, Wales

Alan L. Durst

Designs for reliefs and lid of font, Llandaff Cathedral, Wales

Alan L. Durst

Design for font, Llandaff Cathedral, Wales

Alan L. Durst

Design for memorial of Olive Varcoe Taylor, Llandaff Cathedral

Alan L. Durst

Design for font and cover, Llandaff Cathedral, Wales

Alan L. Durst

Designs for font and cover, Llandaff Cathedral, Wales

Alan L. Durst

Sketch design for font cover, Llandaff Cathedral, Wales

Alan L. Durst

Design for font cover, Llandaff Cathedral, Wales

Alan L. Durst

Design for font cover, Llandaff Cathedral, Wales

Alan L. Durst

Card titled ‘Images at Springfield: Souvenir from Paul and Margaret Nash’

Paul Nash, Margaret Nash, recipient: Edward Burra

‘Letter for Ed’ from Paul Nash, with attached images

Paul Nash, recipient: Edward Burra

Collage of newspaper cuttings showing two figures embracing

Unknown person(s), Paul Nash, recipient: Edward Burra

Draft typescript titled ‘Edward Burra’ by John Banting, with annotations

John Banting

Manuscript essay about Surrealism in England, by John Banting

John Banting

John Banting’s printed calling card, with a surrealist poem by Banting

John Banting

Printed book jacket for ‘The Nine men of Soho’ by J. Maclaren-Ross, designed by John Banting

John Banting

Photograph of dancers in ‘Prometheus’, The Carmargo Society at Sadler’s Wells

John Banting

Photograph of dancers in ‘Prometheus’, The Carmargo Society at Sadler’s Wells

John Banting

Photograph of male dancers in ‘Prometheus’, The Carmargo Society at Sadler’s Wells

John Banting