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Left Right
  • Study of a Seated Woman for ‘The Passing of Venus’

    Sir Edward Coley Burne-Jones, Bt
    c.1877
    View by appointment
  • Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

    Sir Edward Coley Burne-Jones, Bt
    c.1873
    View by appointment
  • Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series

    Sir Edward Coley Burne-Jones, Bt
    c.1873
    View by appointment
  • Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

    Sir Edward Coley Burne-Jones, Bt
    c.1863
    View by appointment
  • Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire

    Sir Edward Coley Burne-Jones, Bt
    c.1863
    View by appointment
  • Study of a Male Figure for ‘Clerk Saunders’

    Sir Edward Coley Burne-Jones, Bt
    c.1861
    View by appointment
  • Study of a Seated Woman for ‘The Hours’

    Sir Edward Coley Burne-Jones, Bt
    c.1866
    View by appointment
  • Composition Study for ‘Clerk Saunders’

    Sir Edward Coley Burne-Jones, Bt
    c.1861
    View by appointment
  • Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’

    Sir Edward Coley Burne-Jones, Bt
    c.1862, c.1863
  • Sketch of Two Seated Figures: ‘Chant d’Amour’

    Sir Edward Coley Burne-Jones, Bt
    c.1862–5
    View by appointment
  • Study for ‘Buondelmonte’s Wedding’

    Sir Edward Coley Burne-Jones, Bt
    c.1859
    View by appointment
  • Studies of Drapery and the Figure of the Virgin for the ‘Annunciation’ in the Church of St Martin’s-on-the-Hill, Scarborough, Yorkshire

    Sir Edward Coley Burne-Jones, Bt
    c.1862
    View by appointment

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