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Tate Papers ISSN 1753-9854

Tate Papers no.14 Autumn 2010

Read about William Blake’s exhibition of 1809, drawing as a modern art practice, and the concept of the sublime. The issue also has articles on the Russian artists Naum Gabo and Liubov Popova, and on the British artist Richard Hamilton.

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In this Issue

    Naum Gabo as a Soviet Émigré in Berlin

    Christina Lodder

    Liubov Popova: From Painting to Textile Design

    Christina Lodder

    Richard Hamilton’s The annunciation

    Fanny Singer

    Damien Hirst’s Shark: Nature, Capitalism and the Sublime

    Luke White

    William Blake’s 1809 Exhibition

    Martin Myrone and David Blayney Brown

    An Alternative National Gallery: Blake’s 1809 Exhibition and the Attack on Evangelical Culture

    Susan Matthews

    Lost in the Crowd: Blake and London in 1809

    Philippa Simpson

    Reasoned Exhibitions: Blake in 1809 and Reynolds in 1813

    Konstantinos Stefanis

    Surviving Reality: Lee Bontecou’s Worldscapes

    Jo Applin

    Dust and Doubt: The Deserts and Galaxies of Vija Celmins

    Stephanie Straine

    Cinematic Drawing in a Digital Age

    Ed Krčma

    Merzzeichnung: Typology and Typography

    Michael White

    ‘Suffer a Sea-Change’: Turner, Painting, Drowning

    Sarah Monks

    Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art

    Charlotte Purkis

    ‘Waste Dominion’, ‘White Warfare’, and Antarctic Modernism

    Mark Rawlinson

    Video Games and the Technological Sublime

    Eugénie Shinkle

    Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium

    Anna Lovatt

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